The Hagstrom Guitar Company, located in Sweden and founded in 1925, have
been recently relaunched globally within the past 10 years and are now
produced in China. Well known for their trust rod (adjustable metal rod
in neck which controls the bend of the neck) design as well as their
high functioning slim necks (slimmer than an Ibanez!) and body shapes,
Hagstroms are enjoyed by collectors and players from around the world.
Users such as Pat Smear(Foo Fighters/Germs), Kirk Cobain, Elvis Presley
and Dweezil Zappa have used Hagstroms at one time or another in their
careers and many touring musicians use Hagstrom's for their durability
in various countries with temperature changes onstage leading a standard
guitar to warp from the climate changes during touring.
The Hagstrom Ultra Swede comes in a Les Paul single cutaway design using
a simple volume and tone knob, two medium output pickups, a pickup
selector and coil tapping switch which splits the coils in the humbucker
pickup enabling the player to have single coil sounds that are
emulating a Telecaster or Stratocaster tone. The Ultra Swede comes in a
variety of colors and I so happen to have the Burgundy Burst finish
(pictured). The body of the Ultra Swede is made of Basswood with a flame
maple top which creates a versatile sounding instrument. Maple top
refers to a solid piece of cut maple that is added to the top quarter of
the body of the guitar to give a greater visual appeal and enhance the
high frequency sounds. A maple neck coupled with a Resonator fingerboard
( resembles and plays like an Ebony fingerboard). The guitar strings
pass through the tune o matic style bridge on top of the body all the
way to the headstock. Medium sized frets lead up the neck to a 3x3
tuning head with the logo and crest of the Hagstrom brand. Along with
visually appealing look of the guitar, binding comes standard around the
entire guitar which finishes off the look quite nicely.
The reasons I purchased a Hagstrom came from its sustaining set neck
design which incorporates the neck through the body to enhance tone as
well as functionality. The radius of the neck is 16 inches coupled with
the slim C profile that enables me to bend effortlessly with 11 gauge
strings as well as grip the guitar without it feeling like my hand will
cramp. The Hagstrom trust rod is designed like a construction I beam
which targets the neck warping issues that guitars have from so much
tension on the neck. The Ultra Swede allows my smaller hands to
effortlessly play and focus on the notes I'm playing rather than the
condition my guitar is in.
The Ultra Swede has a basic control layout. One tone knob and one volume
knob which is used for both pickups. Included is the pickup selector
switch which allows me to go from my neck pickup, to middle position
incorporating both pickups to my bridge pickup. Accompanying the first
switch is the coil tapping switch located in between the volume and tone
knobs. This splits the humbucker pickup into a single coil pickup
emulation. (pictured below)
Many guitarists prefer to have either one set of pickups or the other
rather than sacrificing tone with this switch but if you cannot afford
to have 3 or 4 different models of guitars at your disposal then this is
a great option for playing live. You have the ability to play many
different genres and tones from this guitar without the need to switch
amps or guitars. I was drawn to that feature of the guitar because I'm
influenced from many different guitarists and with the flexibility to be
able to play with different sounds all within your fingers grasp gives
the player a broader spectrum to work with.
The Hagstrom pickups are from their 68 collection. Determining the sound
of this pickup really depends on your preference of pickup height but
for beginner purposes I will place these in a mid ranged output category
which gives off vintage tones from the 60's and 70's and natural
harmonics allowing your playing style to be dynamic instead of playing
with high output or active pickups which are a whole other ball park in
themselves.
All in all, for a mid price guitar, the Hagstrom Ultra Swede allows you
to be the type of player you want to become without having too many
obstacles in your way. For a guitarist looking to purchase stable and
affordable guitar, look to a Hagstrom to meet your needs with their
entire collection suiting many different player styles. Not only are
their guitars filled with historic playability, so are their line of
basses and acoustic guitars which you can view on their website at www.hagstrom.eu or at NAMM 2012 in Anaheim if you happen to have tickets.
As the first guitar specific post of many to come, targeted as an
educational tool for guitar players and enthusiasts, this will be
something I will be most proud to explain when someone asks what one of
my hobbies are.
As the first edition, I thought I'd go back to basics and explain the
process of purchasing a guitar regardless of skill level. What to look
for, what to ask and what's the difference from one style of guitar to
the next?
So let's begin with what the definition of a guitar is. A guitar is a
stringed wood instrument which is plucked with your fingers or a plastic
tool called a pick and is played either acoustically with a sound hole
as the main source of audio output or electronically plugged through an
amplification device which reads the vibration of the string and
translates it into a sound. Guitars generally are made of Alder, Maple,
Mahogany, Basswood or Ash wood. Each wood can be used entirely through
the guitar building process but it is mainly used in contrast with
another wood to produce a unique sound. A guitar can be constructed from
a single neck and body bolted together at a joint, glued together or
constructed from a single piece of wood running through the body and up
the neck to the headstock with two pieces of wood glued at the body to
fill out the shape and supply mass to the instrument.
There
are two types of guitars I will go into detail which are very separate
and yet have similar alterations. An acoustic guitar is entirely reliant
on producing sound through vibrations in its solid sound hole design
with exception to acoustic guitars with built in pre amps which allow it
to be played through an electric amp. Acoustic guitars are harder to
play for a beginner due to their larger neck size, tighter string
tension and overall body shape. The acoustic guitar is a portable
instrument which requires humidifying control in order to maintain
quality and consistency. As a piece of wood, it has the natural ability
to dry out even when it's applied to various lacquers and stains. Even
being stored in its hard shell case does not guarantee protection from
weathering but having said that, an acoustic guitar can remain stable
and reliable for many years.
The Electric guitar is much easier for a beginner guitarist to learn on
due to its smaller size, neck shape and the ability to modify the string
height with relative ease. The electric guitar relies on pickups
controlled by a selector switch which are magnets screwed into the body
of the guitar that gather string vibration as information and send it
through the guitar cable plugged into the side of the guitar to the
amplifier which reads the signal as a sound. Generally, the harder the
wood used for an electric guitar, the higher the pitch of the sound will
be. Alder and Maple produce a 'twang' like sound sought by many country
and reggae guitarists. Mahogany is softer resulting in a consistent
middle frequency sound with a mix of highs and lows creating a 'gut'
sound that most rock guitarists lean towards. The electric guitar has
the ability to control the volume of the guitars output as well as the
tonal shape from adjusting knobs located below the pickups. Electric
guitars are easier to mass produce in a large factory and come in
various paint schemes, shapes and price points.
Guitars use frets on the neck of the instrument as guides for note
location along the net. Frets are metal wires with various thicknesses
that protrude over the neck's front flat profile and enable you to
control the string's vibrato and pitch. The bigger the fret the easier
it is to bend that string which in turn raises the pitch of the
instrument for a desired effect. Along with the frets is the radius of
the guitar neck or curvature of the frets is an easier way of
remembering it. The radius determines the playability of the instrument.
A high radius number in inches means the frets will be flatter over the
fretboard (the flat surface on the neck) which in turns makes the
instrument easier to bend notes, the lower the radius number equates to a
much more playable neck the is easy to grasp and move around on.
Now that you understand the electric and acoustic guitar a little bit
better. I'm going to talk about what to look for with an instrument in
the store and why.
1. Have an idea of how every different guitar in its respected price
point feels in your hands, you'll notice generally that the more
expensive the guitar, the better it will feel and the easier it will
play. Notice the weight of the guitar and its balance. Is it body heavy
or neck heavy? Is the body or neck shape too bulky? Would you be able to
play long hours with this guitar without it fighting back at you?
2. Do not buy a guitar because of its price. This is a huge error when
looking at guitars. Buying a guitar because it's a few hundred dollars
more than another one doesn't mean quality, longevity and
comfort-ability of the guitar goes along with it. Research different
companies and their customer satisfaction records. Make sure to ask
about warranties and returns for the instrument at your local store and
try everything out before you buy. You'll be putting in time into this
instrument so don't just settle for the sake of settling, this is
suppose to be a fun experience, not a 5 minute rush.
3. Purchase from a local shop instead of a big chain store. Sure you
might save money and there's generally more of a selection on hand
without ordering in the end but there's no sense of community when you
are purchasing from someone who works off commission and looks to you as
a sale rather than a customer. Local shops will work with your guitar
company to make sure you are satisfied, they usually offer great
discounts to loyal customers and will include tuners, strings, cables
and picks in your first purchase. Make sure that when you are buying
your first guitar, you aren't pressured into buying but given the time
and information needed to make a healthy choice and more importantly, a
relationship that is lasting with your local store.
4. Don't be afraid to ask. This isn't something you are expected to
master all it's technical know-how before you enter the store. Guitar
stores love questions and they love to talk about instruments because
it's not just a job, it's a lifestyle for them. That's what it means to
me, I would love to work in a music store because it's already such a
huge part of my life so try and find stores that have the same passion
no matter if they are on shift or walking down the street. Make sure to
ask about maintenance of your instrument, string gauge, the differences
of scale length on a guitar, recommended companies and the process of
bringing the instrument in for repair when the time comes.
5. What do you mean by guitars for different styles, Jonathan? Well,
some guitars have a specific purpose to their craft and other guitars
are built to be able to play many different genres in one. A heavy metal
guitar player generally looks for an instrument that is very durable,
very comfortable and easy to play and has pickups that are high output,
which creates a strong thunderous tone and a lasting sustain. Jazz
guitarists look for instruments with rich tone, high quality woods and
pickups with high levels of bass to them to produce a buttery smooth
sound. Rock musicians and blues musicians need a guitar that can have
shimmery highs and powerful lows so when they play a clean or distorted
passage, their instrument can be versatile at the right time and be able
to hold their note as they tend to play with passion and emotion along
with their lyrics. Dynamics are very key in the sound of a guitar.
Acoustic guitars generally produce richer tones as the size of the body
increases. Acoustic guitars with cutaways in the body for accessibility
to higher frets lose the tone that is needed to fully develop the notes
and therefore it becomes a game of sacrifice between playability and
tone. Depending on the style of music from classical, to jazz and from
country to rock each guitar has it's own flavor so therefore trying out 5
or 6 different types will not hurt your overall decision.
In the end, the guitar is an extension of who you are, so don't buy
something you wouldn't love as much as yourself. If you are planning on
just trying out an instrument and seeing if you like it, then rent from a
store first or ask about the return policy after purchasing. If you are
however planning on taking the instrument on as a hobby, then put the
time in to understanding everything about it. Playing music has so many
benefits but you only get out what you put into it. You must put time
into practicing your instrument because fundamentals are key to being
able to explore the instrument fully. Practicing the guitar and jamming
with other musicians are one in the same thing but you have to be
willing to learn and to put time into developing your own style on your
own time alone. There's no easy way around hard work and by developing
proper technique, you are able to develop a clearer picture to why the
guitar is such a beautiful instrument.
Debating whether or not an electric instrument pickup is better than the
other comes down to personal preference. Quality of a pickup however is
generally universally accepted as being given to a company with many
years of experience. Seymour Duncan, Dimarzio, Bill Lawrence, Fender,
Gibson, EMG, TV Jones and Lace Sensor are the most well known and
respected pickup companies in the market. There is a reason that these
companies are famous and it has to come down to two things. Personal
preference on sound and the quality and consistency of the pickup brand.
Whether you are a serious player or an amateur, finding your own sound
is as enjoyable and informative as finding your first guitar. Every
pickup has its own flavor and every guitar bonds with a pickup in a
different manor. Depending on how many pickups and what electronic
controls will be attached to each pickup, you can have a plethora of
sounds at your disposal or just one consistent tone. Whatever you are
looking for in a sound, there isn't a pickup that won't help you on your
way to achieving your perfect tone.
This post will talk about the match up between an active pickup and a
passive pickup and what are the benefits and negatives from each.
Hopefully I will help you narrow down the sound you are looking for and
give you some insight into the market of pickups.
A passive pickup is a magnetic pickup directly sending the
signal from your string, through the wood, into the pickup and into the
amp which creates the most dynamic, organic sound you can produce. Many
artists prefer a passive pickup to be able to have a "breathable" sound
coupled with using their volume knob enables a plethora of tones
without adjusting gain or treble on the amp. The negative issues however
with a passive pickup are it's feedback especially when gain from the
amplifier is introduced as well as a magnetic pull on the strings can
cause intonation problems as which reduces the sustain of the guitar
overall. A single coil pickup found on stratocasters and telecasters
generally produce a large amount of feedback and hum which is why the
humbucker was invented to increase power over a single coil sound and
add in a noise reduction in the process. Jeff Beck, Eddie Van Halen and
Jimi Hendrix are prime examples of passive pickup users.
An active pickup is powered by a separate battery stored
on the guitar enabling higher output and overall balanced frequency.
Many artists who are looking for a consistent sound such as in metal
music use Active pickups to achieve a powerful and consistent tone.
Player's like Kirk Hammett and Kerry King use active electronics which
enable them to push their amps all the way to 10 and still retain a
tight and focused clarity in their sound. The negatives of this style of
pickup is the need to replace the 9v battery as well as being sterile
by critiques. An active pickup will generally sound the same no matter
if the guitar is of solid body, semi hollow body, string through or with
a vibrato bridge.
So why is there a debate over pickups at all? It all boils down to
preference as I was saying before. Pickups are just one part of the
chain that links your guitar to your amp and eventually the sound coming
to your ears. My advice is to try out an active pickup and passive
pickup in similar built guitars and to shape your own opinion on the
debate. Find out the different makes of each type of pickup through your
local music store and build an wall of sound that defines the player
and personality that is you.
Here is a link from Springfield Music's YouTube channel explaining in detail the difference
