My last blog for the day. Thanks for reading guys.
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CONTOUR
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Well this is going to be a hilariously short
and simple article.
Contour is describing the curve of a melody. A
good melody should make it’s ascent up towards a climax note (where the melody
hits a peak) and make a controlled descent down. A descent that’s short in
respect to how much the melody rose doesn’t sound very good.

Notice how this example rises to a D and than
comes back down (relatively) slowly to an Bb? Also notice the nice curve this
melody makes.
Melodic contour can make an arch (or it can go
the opposite way and make a trough), like in the first two phrases of Sunday
bloody Sunday; or it can make a ramp, like the last phrase of Sunday bloody
Sunday. As long as your melody is moving with purpose and not stagnating, it really
doesn’t matter which you do.
Contour also comes down to the range of a
melody. For a singing melody, it is best to keep the range under one and a half
of an octave, as not many non-musicians have a greater range than one and a
half octaves.
For an instrumental melody, I suggest you make
the range as large as possible without sounding bumpy.
Well, that’s it. Go home, nothing more to see
here.
By Michael James Locri
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