Okay, finally finished. It was damn hard but so worth it. Trust me, I got more out of this than any of you ever will.
The reason I've posted these as a blog is because I want them proof read by MT'ers and I'm not sure if they're completely legal (so psych/danny, mind giving it a quick look over?)
Once I finish all of them, I'll post them as lessons or columns or just post them in the MT forum.
By the way, ask all questions here: http://www.ultimate-guitar.com/forum/showthread.ph p?p=17656958#post17656958
Do not spam my wall/blog comments with questions, it's far easier to answer them in the thread.
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INTRODUCTION
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Oh
wow, where do I begin?
The
best advice I can give you is to noodle. Just noodle on your instrument for
melodies. Don’t ever use a musical convention to write a melody, use these
conventions to perfect and explain a melody.
Just
before you read on make sure that you have the basics in music theory, as in,
complete major scale theory. This is not a beginners theory article, there are
many free theory articles on the internet (please check out Josh Urban’s
“Crusade” articles on this site). The purpose of my articles is to supply
MT’ers with some tips into writing single line melodies for free (20tigers and
a few others complained there were no melody writing books in their libraries).
My
articles are also a response to the numerous pseudo-musical articles about song
writing. In a nutshell, they’re about “writing things down” (HURRR DURRRRR) and
“feeling your music,” now imagine that stretched into a 500 word article. Not
fun, nor is it helpful.
Don’t
expect that you’ll be able to write a chart topping pop song after reading my
articles. Not going to happen. These articles might help a little bit but song
writing is still a skill and still needs to be practised. Don’t even think I’m
that good at writing music, I’m honestly not.
Anyone
can write a melody. It's actually not that hard to write an improvised melody,
just noodle on your guitar in scale for a bit and eventually you'll find
something interesting whilst vaguely following a common idea. After that, it’s
just a matter of applying what you know about writing accompaniment.
But
writing a perfected melody is a bit different. Think of it as if you're writing
a story or an essay, first you note down your ideas, then you paragraph them
and then you reread your draft and edit it. No-one will write an essay in one
go without at least having a mental idea of what your main points are. This is
the same with music; your ideas are the noodlings on a guitar and your product
is an essay.
Always
write a non-improvised sounding melody as if it's written for a singer.
Melodies that are easier to hum, yet interesting, are always catchy. Sure it’s
nice to hear those bone crunching rock solos (*insert awesome classic metal
star* FTW), but rock solos aren’t built to be catchy. Your melodies are.
As
with an essay, be prepared to cut and crop and edit your melodies so they not
only sound as you expect them to sound, but also fit well in and flow well. No
independent writer will send out his first draft to be published, he would first
look over it, edit it and add to it.
I
will also expect the reader to be an avid listener in all styles of music and
be able to recognise the most popular jazz, rock, classical and pop songs. I’ll
try to use as many pop and rock songs as possible, this way some of you will
retain interest. I won’t use too many classical songs as most of you only know
the most famous classical songs.
By
the way, steal my articles, copy them, print them, put them on your websites,
hand them out to your friends, but just don’t forget to leave my name on it. As
long as my name is written at the bottom of every article, I don’t care.
By Michael James Locri
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