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Very early on in our relationship, my future spouse asked me
to move to California with
him. This presented only two issues at
the time. The first was my future
mom-in-laws contention that we were going to be “living in sin”. Actually, this didn’t bother us as much as it
tested her Catholic sensibilities. (We always laughed about that turn of phrase
btw, since it made doing those mundane household chores together sound much
sexier and morally dangerous than they actually were.)
The larger issue, however, was the large amount of records
we were now forced to figure out how to get from Coast A to B. Both of us were and still are massive music
freaks. When the coast migration was
planned we had between us over 2,000 albums.
So after a bit of discussion, we decided to take the leap of faith that
we would not be breaking up anytime in this lifetime, and go through the
collections and eliminate any duplicates.
Then we would have the gang over and give away the extra albums to new
homes.
The result of this experiment? We had exactly 155 duplicate albums. While we shared a love of New York Punk,
Devo, David Bowie, classic Rock and
Elvis Costello—the rest of the pile were all destined to be shipped to sunny
California. He loves Zappa and prog
rock; I’m a huge English punk fan and have a healthy collection of Electronic
and Goth. He loves Springsteen and
Dylan; I love Ska and Sonic Youth. You
get the picture.
Over the years, we have found more common ground
musically. I have learned to love Zappa
and Captain Beefheart; he recently started to listen to Stiff Little
Fingers. But we still diverge enough
that when concert season rolls around, there is the on going dilemma of…
How far out of my life partners comfort zone am I willing to
push them and suggest that we spend the mutual cash towards a concert
experience that they could reminisce as having been the most horrendous two plus
hours of their lives?
The rule we decided on was this. If the person felt passionately about the
artist, the other person had to see this said artist live at least once. If after that experience, they felt that
would rather spend time getting say, a root canal, then they could pass on any
future concerts by said “artist”.
Over the years three logical categories have emerged:
The “Oh dammit, I’m sorry honey, I have a date with the Dentist!”
These are few and far between, but they do exist. I refuse to go see Bruce Springsteen
again. If you love “the Boss”, then the
extended versions and the multiple encores are nirvana. For me, it was four hours of hell. I have a similar
loathing of Neil Young, whose bass players even bore me to tears. I refuse to see Robert Fripp again on
principle. We saw Fripp in the early
90’s when he decided that he would face away from the audience for the entire
concert. I found it to be pretentious
and swore that I would henceforth save the 40 USD and just listen to the
records at home. For the spouse, he will
forever pass on any reggae or Ska concert, unless it’s the Selector, and even
that’s a bit of a reach. Ditto for any
reunion of Love and Rockets. He hated
that concert so much I almost had to see Springsteen again to make up for
miserable time he had. He says he
suspects that going to see Earth the next time they play locally may add to his
“once in a lifetime” list.
The “They’re OK, but I can enjoy myself enough to accompany
you again”
For me, Tom Petty falls into this category along with Hot
Tuna. I like Hot Tuna’s recorded output,
but their concerts get a bit jammy at times.
The same holds for the Black Crowes.
For the better half, Tower of Power
is fun merely for the fact he gets to get his yearly fill of “bad white people
dancing”. And he’s promised to go with
me to the next Les Claypool / Primus New Year’s thing, because in his words
“Les’ playing makes up for his voice” (though I strongly suspect Les/Primus is
making it slowly into the next category, see below). This year he also decided yes,
he could stand another round of Robyn Hitchcock as well. The “WOW, why did you never tell me how really, really good these people
were? Are you sure we have ALL of their albums?”I have learned to love Adrian Belew and Billy Cobham to a
point that I will buy the tickets even before the spouse notices they’re
playing locally. I felt the same way
about the late Warren Zevon, who we saw twice in a smallish club in Santa
Cruz. I will go see Dweezil Zappa again in a
heartbeat, even though I must admit it felt a bit odd being one of about 12
females in the audience. For his part, the spouse will gladly accompany his lovely
bride to see Stanley Clarke, Stuart Hamm or the Violent Femmes. I also suspect that it’s a matter of time
before he starts screaming “Primus Sucks!” with the rest of the gang, but it’s
still a bit too soon to tell.
Guide to maritial happiness?
Know the limitations of your spouse’s musical tastes, but be willing to
at least give a band and your spouse, the benefit of the doubt. Well, at least for one concert.
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